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The advantage of "Essays" is the structuring of the material full of internal logic, the examination of artistic phenomena from different perspectives, from different angles of view, which gives the study scientific volume and stereoscopicity.

The intelligence of R. Roslyak and O. Bezruchka logically complement each other. Dovzhenko's pedagogical activity has been studied surprisingly little, especially when it comes to the director's laboratory on the basis of the Kyiv Film Factory. Here we can talk about the opening of fundamentally new pages in the creative biography of an outstanding film artist.

Some sections are frankly polemical in nature. The authors reserve the right to the original interpretation of classical works, although sometimes their interpretations seem too paradoxical. This can be said about the essays written by O. Musienko and O. Sydor-Ghibelinda.

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The logical conclusion of Ch. Chaplin's search were the films "The Tramp", "The Kid", "The Pilgrim", "On the Shoulder" and others. The second stage is the flowering of the talent of the film artist, which was convincingly evidenced by the release of his recognized masterpieces - "Lights of the Big City" and "New Times". The first and second stages of Ch. Chaplin's work are united by the image of Charlie the vagabond - a symbol of the director himself. The third stage in the artist's legacy is the stage of high professionalism associated with the films "The Great Dictator", "The King in New York". "Monsieur Verdu" and others.

Ukrainian cinematography was started way back in 1896, more than 125 years ago. The first film was shot by Alfred Fedetsky in Kharkiv in 1896, but it was not like the cinema we are used to. The tape was entitled "Transfer of the Miraculous Icon of the Mother of God from the Kuryaz Monastery to the Kharkiv Pokrovsky Monastery." She (title) immediately describes the plot of this two-minute long work. Thanks to this tape, A. Fedetskyi became the first Ukrainian cameraman of documentary films. A little later in the same year, he organized the first public screening for Ukraine, where he demonstrated three-minute documentary stories. At the same time, screenings of French films started in Lviv.