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The film "Shadows of Forgotten Ancestors" was conceived as a screen adaptation, but this film had a different fate - to become a manifesto of a whole direction, which was called "poetic cinema". This direction had the greatest publicity in the context of Ukrainian cinematography of the specified period.

Scorsese and others; western– "Dances with Wolves"K. Kostner, psychological dramas - "Marathonets"J. Schlesinger, "Rain Man" by B. Levinsop, "Scent of a Woman" by M.Brest, "People vs. LarryFlint" by M. Foreman; disaster films - "Titanic" by D. Cameron and others.A characteristic feature of the modern American film process is active involvement incollaboration of leading foreign directors - L.Besson ("The Fifth Element", "Joan of Arc"), E.Kusturitsy ("Undegrau nd"), J.By ("Without a face"), E.Mengele ("The Englishman and the Patient","That gentleman is talentedRipley"), etc.The starry sky of Hollywood flash is new names. Nearwith recognized stars of the 80s and 90sx pp. A.Schwarzenegger , S. Stallone, R. Girom G. Ford,K. Costner, T. Cruz, N.Cage, S. Stone, K. Basinger, J. Foster, young actors A.diCaprio, E. North, D. Lowe.So, the cycle of acting life in Hollywood is endless...Characterizing recent significant eventsin US cinema, noone can not forget the phenomenon thatgot the name "tarantinomania". It's about creativityK. Tarantino. His movie" It's not a crimereading material" became to a certain extentepochal for the entire world film process. This istestimonythat the film world is tired of crueltyand started laughing. Today, K. Tarantino is considereda peculiar symbol of the new cinema, whichwon favor asintellectuals , yesandmass audience.

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Chaplin's creative output attracted the attention of researchers who tried to understand the reason for the extraordinary popularity of this actor. Perhaps the secret of the great artist's success was that his hero - Charlie the tramp - looked at the world through the eyes of a child; he could make the viewer laugh and sympathize at the same time.

The appearance of "Essays" was a qualitatively new step in the development of domestic film studies. A wide range of scientists belonging to different schools and directions in film studies took part in the work. The authors did not set themselves the goal of consistently covering all stages of the formation and development of cinematography on the territory of Ukraine. But, without a doubt, the compilers and authors managed to focus on key moments, trace the most important regularities of the filmmaking process. Issues that have remained on the margins of the historical science of cinema have come into focus. Separate chapters are devoted to both local phenomena and entire historical stages, and the authors mostly build their research on a solid theoretical foundation.