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Cinematography has its own genre-genre structure. Unlike other forms of art, the birth date of cinematography can be named absolutely precisely - December 28, 1895. It was on this day in Paris that the brothers O. and L. Lumiere demonstrated their first film program, which contained short documentary sketches: "The exit of workers from factories", "Arrival of the train", etc. The films of the Lumière brothers started the trend towards creating documentary cinema, because in all their pictures a certain immediacy of real reality was recorded.

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At the same time, cinematography can by no means be called a "technical" art. Man's primordial need for a figurative understanding of reality gave birth to this mass form of art. Cinema is synthetic in nature, it combines elements of literature, theater, painting, music, choreography. That is why cinematography operates with many expressive possibilities borrowed from other forms of art. At the same time, cinema has its own specific means and techniques, in particular: perspective (angle of view of the film camera), change of plans (general, medium and large), montage, which combines individual frames in a logical sequence and makes it possible to convey the emotional and psychological tension of the episode.

Action (action) is a genre of film art that illustrates the well-known thesis: "Goodness must have fists." The main character faces evil. Not finding the possibility of a peaceful solution to the situation, he resorts to violence, as a result of which dozens and sometimes hundreds of villains are destroyed. "Happy end" is an indispensable attribute of an action movie, evil must be punished.

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The specified period turned out to be extremely rich for the cinematography of Ukraine in terms of the thematic focus, which was represented by the historical and biographical genre: "Taras Shevchenko", "I'm Coming to You", "Yaroslav the Wise", "The Legend of Princess Olga", "Danilo - Prince of Halytskyi" and others; interpretation of the theme of the Great Patriotic War: "Only "old men" go to battle", "Aty-dad, the soldiers went", the trilogy about Kovpak, "High Pass", etc.; psychological drama: "/Bathroom", "Commissars", "Long Farewells", "Military-Field Romance", "White Bird with a Black Badge", "Flight in a Dream and Awake", "Rooks", "How Young We Were ", "A wedding is accused", "Adam's rib", "Three stories", etc.; screen adaptations: "Malva", "Sailor Chizhik", "At a high price", "Land", "After two hares", "Weed", "Bread and salt", "Stone cross", "Lost letter", "Babylon -XX", "Black chicken,

At the same time, cinematography can by no means be called a "technical" art. Man's primordial need for a figurative understanding of reality gave birth to this mass form of art. Cinema is synthetic in nature, it combines elements of literature, theater, painting, music, choreography. That is why cinematography operates with many expressive possibilities borrowed from other forms of art. At the same time, cinema has its own specific means and techniques, in particular: perspective (angle of view of the film camera), change of plans (general, medium and large), montage, which combines individual frames in a logical sequence and makes it possible to convey the emotional and psychological tension of the episode.

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