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In films in the genre of fantasy, the original ideological and aesthetic guideline is the superiority of imagination over reality. A picture of a "wonderful world" is created, contrasted with everyday reality and familiar, everyday notions of plausibility. Fantasy and horror films are closely related genres of cinematography. Most of the popular plots of film fiction are borrowed from legends and myths. However, cinematography has its advantages over books: it is able to realize any ideas in a visual form, impressive with unique special effects. Film fiction is divided into "science fiction", "fantasy" and "horror films".

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Ch. Chaplin's films are works that made a significant contribution to the development of the visual system of the cinematography, its montage structure and fulfilled the ultimate task of art - won the love and recognition of viewers all over the world. The 20s of the XX century. entered the history of world cinema as an extremely interesting period of experimentation and innovation. There was a process of finding new forms, visual means and techniques, awareness of the montage-poetic nature of cinematography, that is, in the bowels of cinema, its own aesthetic system was formed.

A musical film is a musical or an operetta transferred from the stage to the screen. Attributes of these films are a large number of songs, dances, bright costumes and scenery. A musical film must have elements of melodrama.

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Ukrainian film art of the 1950s-1990s in feature films is connected with the work of R. Balayan, M. Belikov, L. Bykov, V. Braun, A. Bukovsky, V. Gresya, V. Denysenko, K. Yershov, V. Ivanova, V. Ivchenko, Yu. Ilyenka, O. Itigilova, G. Kokhan, V. Kryshtofovych, T. Levchuk, Ya. Lupiya, M. Mashchenko, I. Mykolaychuk, K. Muratova, O. Muratova, L. Osyka, S. Parajanova, B. Savchenko, P. Todorovsky, L. Shvachka, etc.; in documentary cinema - S. Bukovsky, O. Koval, M. Mamedov, O. Shklyarevsky, etc.; in popular science cinema - V. Olender, O. Rodnyansky, A. Serebrenikov, F. Sobolev, etc.; in animation - V. Dakhna, D. Cherkasky and others.

In adventure films, unlike an action film, the emphasis is shifted from gross violence to the cleverness of the characters, the ability to outwit and deceive the villain. At the same time, the hero must get out of difficult situations in an original way.

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