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The world cinematography of the 1970s and 1990s is associated with the work of its outstanding personnel, who in their films turned to various philosophical and aesthetic concepts that helped them to protest against spirituality, to affirm the ideals of humanism, and the values of high human feelings.

The film "Shadows of Forgotten Ancestors" was conceived as a screen adaptation, but this film had a different fate - to become a manifesto of a whole direction, which was called "poetic cinema". This direction had the greatest publicity in the context of Ukrainian cinematography of the specified period.

A characteristic feature of the artist's filmmaking is "actingversatility ", because breadthhis artistic range enables him to work brilliantly indifferent genres:to a police fighter ("Panic inNeedle Park", "Serpico", "Sea of Love", "Clash andetc.);psychological dramawith elements of mysticism ("Lawyerthe devil") ; a gangster film(" I'm with a facescar", "Carlito's Way", etc.),drama ("Scarecrow", "Bobby Deerfield" (screen adaptationE. M. Remarque's novel "Lifein debt"), melodramas with elements of comedy ("Author ! Author!","Francis and Johnny") and others.In all theirsAl Pacino's works demonstrate the highest level of acting professionalism.Every movie is from himparticipation is artistica perfect work that always inspires admirationviewersHowever, the most significant creative achievements ofAl Pacino's film production is primarily associated withtrilogy by F. F. Coppola "The Godfather", in which the actor created the image of the head of the mafiaMichael Corleone's clan, and the film "The Scent of a Woman" directed by M. Brest – deeplypsychological film entertainment aboutthe adventures of a blind colonel of the American army, for whichthe artist was awarded the highest prize of the American Film Academy - goldstatuettesOscar.

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In some texts, the authors focus not so much on the film process as on its historical and social context. Thus, Z. Alfyorova draws attention to those general civilizational conflicts that were related to Ukraine and Ukrainian culture even in Soviet times. The author examines the artistic culture of Ukraine at the intersection of the influences of economic, political and socio-cultural systems and observes how the "crisis of reality", the "replacement of reality with signs of reality" is provoked both by the influence of "official" Soviet culture and the phenomena of early postmodernism. The author rightly notes that the internal dissidence of a certain circle of Ukrainian artists is reflected in the very style of screen works. However, interesting observations and theoretical generalizations do not always find concrete confirmation in the direct examination of the film process.

The last three decades of the 20th century. become a prime time for outstanding artists of our time: F. Fellini - "Rome", "Amarcord", "A ship sails..."; M. Antonioni - "Zabrisky Point", "Profession: reporter"; L. Visconti - "Death of the Gods", "Death in Venice", "Ludwig", "Family portrait in the interior" (Italy); I. Bergman – "Snake's Egg", "Autumn Sonata", "Fanny and Alexander" (Sweden); A. Kurosawa - "Seven Samurai", "Shadow of the Warrior", "Wound" (Japan); A. Tarkovsky - "Andrii Rublev", "Solyarke", "Stalker", "Nostalgia" (Russia).