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diziler the dark crystal age of resistance

At the same time, cinematography can by no means be called a "technical" art. Man's primordial need for a figurative understanding of reality gave birth to this mass form of art. Cinema is synthetic in nature, it combines elements of literature, theater, painting, music, choreography. That is why cinematography operates with many expressive possibilities borrowed from other forms of art. At the same time, cinema has its own specific means and techniques, in particular: perspective (angle of view of the film camera), change of plans (general, medium and large), montage, which combines individual frames in a logical sequence and makes it possible to convey the emotional and psychological tension of the episode.

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In some texts, the authors focus not so much on the film process as on its historical and social context. Thus, Z. Alfyorova draws attention to those general civilizational conflicts that were related to Ukraine and Ukrainian culture even in Soviet times. The author examines the artistic culture of Ukraine at the intersection of the influences of economic, political and socio-cultural systems and observes how the "crisis of reality", the "replacement of reality with signs of reality" is provoked both by the influence of "official" Soviet culture and the phenomena of early postmodernism. The author rightly notes that the internal dissidence of a certain circle of Ukrainian artists is reflected in the very style of screen works. However, interesting observations and theoretical generalizations do not always find concrete confirmation in the direct examination of the film process.

The release of the film M.Forman's "Amadeus" is a brilliant interpretation of creative and personal confrontationMozart and Salieri.In this decade, R. Redford, J. Lange, M.Strip - worthyinheritors of the great acting traditions of the US cinema.Significant gainsAmerican about cinemaof the last two decades are primarily associated with the names of F.F.Coppola (the third part of "The Godfather", "Bram Stoker's Dracula", etc.);S. Spielberg("Schindler's List ", "Jurassic Parkperiod" etc.); R.Zemeckis ("Forrest Gump"); D. Lynch("Blue Velvet ", "Your Shke", etc.).However, at the same time, many others appear on the screensthird-rate film production.Nowadays, almost all the modern ones are included in the Hollywood assembly linefilm genres tending tointeraction: a gangster movie –"Honor seven! Prizzi" by J. Hustonand "Married to the Mafia"J. Demmy (comedy invariance of the genre), "Oncein America" ​​S. Leone, "The WayCarlito"B. de Palma, "On the Crest of the Wave" by K. Biglow (with elements of drama); thriller - a synthesis of detective andhorror film - "Heart of an Angel" by A. Parker, "Silence of the Lambs" by J. Demmy, "Cape Fear" by M.

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It is not often that film experts turn to such an important field of cinematographic activity as film education. It can be said that the young researchers R. Roslyak and O. Bezruchko entered the territory that until now remained on the margins of film studies. In addition, few researchers were able to master historical facts with the help of archival documentation. R. Roslyak's text reveals to the reader a kind of terra incognita, because during the Soviet era, Ukrainian film education was persistently relegated to the shadows, weakening it also purely organizationally (closure of the film institute, departure of personnel, etc.).

New Ukrainian film art The rapid growth of Ukrainian cinema began relatively recently. Even at the beginning of the 21st century, new Ukrainian films remained invisible to the Ukrainian audience, and there was not even a word about the world one. In recent years, the situation has changed radically. The film is noticed, it regularly appears on the big screens and enters world film festivals. The Law "On State Support of Cinematography in Ukraine", adopted in 2017, unlike its previous version, increased the possibilities of state funding. New mechanisms aimed at supporting cinematography are being implemented: strengthening the protection of copyright and audiovisual rights on the air, financing of television series. Such initiatives should form a balanced system of the film process and everything related to it: film education, film production and film distribution. The law makes it possible to partially recover qualified expenses for the promotion of cinematography at the national level. In this way, film studios and cinemas "on wheels" are supported in small cities of Ukraine.

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